In these last few years I have been spending a lot of time exploring and wandering in the Open D tuning (D A D F# A D). Henry Worrall composed and arranged
Sebastopol, a solo parlor guitar piece, in an Open D tuning and published it in 1860 with A.C. Peters & J.L. Peters, music publishers, Cincinnati,
Ohio. The piece was very popular throughout the nineteenth century. Worrall intended the piece to be an imitation of a military bugle and band. Somehow,
Worrall's Sebastopol entered in to the folk music tradition of the 1800s and both Black and White rural musicians played versions of this tune. Over
the years the title changed from Sebastopol to Sevastopol and then to Vestapol or Vastapol. Today's guitarist generally refer to an Open D Tuning as
In my lesson Fingerpicking Blues Guitar Arrangements in Vestapol Tuning (GW1011) I explored various blues ideas, arrangements and techniques in the Open
D Tuning. In this new lesson we go beyond the blues with five arrangements that span a Country song (Tennessee Waltz), Pop (Bob Dylan's Buckets of
Rain and the Beatles' In My Life), an Old-Time banjo tune (Waterbound) and a funky downhome Delta blues (Como Blues).
In this lesson you'll enjoy the many tonal possibilities that this tuning offers in a variety of diverse music. Hopefully these arrangements will open
up your guitar playing to encompass new and evocative sounds and textures. Each tune is taught phrase by phrase and played slowly on a split-screen.
A detailed tab/music booklet is included as a PDF file on the DVD.
Titles include: Buckets of Rain, Tennessee Waltz, Waterbound, Como Blues and In My Life
109 minutes - Level 2/3 - Detailed tab/music PDF file on the DVD
Review: BUCKETS OF RAIN Fingerpicking Possibilities in Open D Tuning & BEYOND FINGERPICKING BLUES GUITAR in the key of E I have lumped these two DVDS together in one review because they are two of the latest offerings from the prolific Guitar Workshops who would seem to be not letting a single Chord Scale or Note get away from an in-depth analysis. As we have come to expect from this series, production values are top notch with crystal clear up close filming and impeccable sound, and Stefan himself has to be one of the best tutors out there, he is certainly one of the most productive. These two are aimed squarely at the finger picker who wants a little bit more meat on the bones and in combination with the superb filming, you have their excellent 25 pages and more PDF files that give you everything that you need to put lessons into practice. The first DVD (Key of D) has just five numbers for you to work on covering Country (Tennessee Waltz) Beatles and Dylan (In My Life & Buckets of Rain) an old Banjo tune (Waterbound) and finally blues (Como Blues). The second offering gives you 5 more in the key of E including a wonderful version of Summertime that I shall be definitely giving a try as this is probably my all-time favourite to play and sing. I am sure if someone were to come up with the scale of H, it wouldn't be too long before the Guitar Workshops had a tutorial out to cover it. Put a couple of these in your collection and you'll not have any excuse of nothing to practice. I think it was Segovia who said that he never stopped learning, so look out for these or order on line. – Blues Matters
Review: By no means is this a roundup of the usual suspects. Bob Dylan, for starters, lends the how-to lesson its pick-and-roll marquee song: "Buckets of Rain". But that isn't the only easy going mega-masterpiece attending this soiree in Open D. Melodies as drop-dead gorgeous as the Beatles "In My Life" or as cottony-soft as "Tennessee Waltz" are full of introspective calm, textured subtly and a wonderful division of labor between right and left hands. None, however, come as dangerously infectious as "Waterbound," whose old-timey charm hasn't stopped luring generations of guitars, banjos, fiddles, and sing-alongers to ride its irresistible waves. Although "Como Blues" openly transcribes north Mississippi kudzu into snaking Fred McDowell-inspired riffing, blues is not this lesson's emphasis. (For that, seek out "Fingerpicking Blues Guitar Arrangements in Vestapol Tuning".)
For five disparate pieces, the lot nicely interlocks to form a stand-alone setlist ready for action - equipped to be sung or equally fit as instrumentals. And with Stefan Grossman teaching, never are the songs presented as one-and-done. Each is flush with alternate variations and assorted ornamentations to keep them fresh and personalized. You can't miss - since Grossman doubles as both a living library as well as a natural-born teacher endowed with the goods to advance skill sets, fatten repertoires and even convert air guitarists into real string-and-fret ones. Yeah, his approach is that genuine and encouraging. - Dennis Rozanski/Blues Rag