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Women of the Country Blues Guitar

  • Taught by: Erin Harpe
    Hard Copy   $29.95  Item Number:  GW858

    Women of the Country Blues Guitar

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    Although the fingerstyle delta blues of the 1920's and 1930's was mostly male-dominated, there were a number of women who emerged in the style early on. The best known and influential was Memphis Minnie, who recorded over 200 songs from 1929 to 1959. Her performances and songwriting made her well known in a genre associated with men. In this lesson Erin Harpe takes you through some of Memphis Minnie's early material in Open G (Spanish tuning) i.e. Can I Do It For You, Where Is My Good Man At, What's The Matter With The Mill, When The Levee Breaks, as well as a few in Standard tuning.

    Erin also gives an overview of other early-accomplished guitar-playing blues women including Geeshie Wiley, Elvie Thomas, and Jesse Mae Hemphill. In March 1930, Geeshie Wiley and L.V. Thomas (named as Elvie by the record company) traveled from Houston, Texas to Grafton, Wisconsin, to make recordings for Paramount Records. They recorded together a handful of country blues masterpieces. Erin teaches both Motherless Chile and Pick Poor Robin Clean.

    Mattie Delaney is thought to have come from Tchula, Mississippi. She recorded only two songs in 1930 for Vocalion Records. Very little is known about her but her playing and singing was masterful. Erin teaches Mattie's Down The Big Road Blues played in Open G (Spanish) tuning.

    The last woman blues player featured is Jessie Mae Hemphill. She was born in Como, Mississippi in 1923 and began playing guitar at the age of seven. Her first recordings were field recordings made by the blues researcher George Mitchell in 1967. Her I'm So Glad is a fine example of Mississippi Hill Country blues.

    Each tune is taught phrase by phrase and played slowly on a split-screen. Bonus audio tracks of the original recordings are included.

    Titles include: MEMPHIS MINNIE I'm a Bad Luck Woman, Nothing In Rambling, Can I Do It For You, Where Is My Good Man At, What's The Matter With The Mill, When The Levee Breaks MATTIE DELANEY Down The Big Road Blues ELVIE THOMAS Motherless Chile GEESHIE WILEY Pick Poor Robin Clean JESSIE MAE HEMPHILL I'm So Glad  

    124 minutes - Level 2/3 - Detailed  tab/music PDF file on the DVD

    Review: For two hours, Erin Harpe instructively reminds us - note for note on her trusty acoustic - that Robert Johnson, Blind Lemon Jefferson and Blind Blake were not the only first-generation guitar heroes. Her Women of the Country Blues Guitar lesson builds its 10 song repertoire from one of the rarest blues commodities: prewar ladies who accompanied themselves by snapping and bending strings just as thrillingly as did their male counterparts. Justifiably, the prolific Memphis Minnie grabs the lion's share of material, chugging  "What's the Matter with the Mill" and stomping"I'm a Bad Luck Woman" with brutish bass lines. "When the Levee Breaks" is the epitome of classic. Here, Minnie is up against virtual phantoms like Texan Elvie Thomas (in lullaby form, "Motherless Chile" renders misery beautiful) or the Delta's Mattie Delaney (chordlessly fingerpicked, "Down the Big Road Blues" is anything but a Tommy Johnson carbon copy), whose meager but mighty handful of shellac is just about their only existing trace. Geeshie Wiley is arguably the more known of these unknowns, thanks to a memorable name and even more unforgettable songs. Her high-compression "Pick Poor Robin Clean" moves briskly and brightly. But Harpe's inspirations don't all spin at 78 rpm. For when R.L. Burnside and Junior Kimbrough were spinning their rhythmic spells up in north Mississippi , Jessie Mae Hemphill was casting her own hill-country trance by welding a D chord onto a roughhouse riff to contradictorily express "I'm So Glad." Her 1986 version, which resides here along with all the other bonus original recordings, is juke joint-worthy. - Dennis Rozanski/Blues Rag

    Review: There have been some great women guitarists in Country Blues, especially Memphis Minnie. So it's appropriate that a woman should be teaching these guitar parts too. Although Erin seems a little nervous in front of the camera just at the beginning, once she is into the lessons that disappears and she's fine. Several songs by Minnie are taught, and also one each by Elvie Thomas, Geeshie Wiley, Jessie Mae Hemphill and Mattie Delaney. There are songs in standard tuning, one in open D and several in open G. The style of the lessons is the same as in many other titles we've reviewed here: first the song is played, with two cameras on the teacher so you get a good look at both hands. Then she explains each part of the song showing how the licks are played, followed by a split screen look at both hands as she plays the part again slowly. About the middle Erin explains that she came by all this naturally, because her dad was also a Country Blues guitarist who gave her the first lessons on the instrument! I found that interesting, and enjoyed her playing here. One can of course use licks taught in these DVDs for your own songs, or add the ones taught to your repertoire, or both. You can even use the DVD as a concert by fon/varding past the lessons to just see Erin playing the songs. There is also tablature in a PDF file included on the disc, as well as the original recordings of the songs being taught - that's a lot of bonuses! It's over two hours of lesson. - Blue Suede News

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