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Sandy Shalk



Sandy Shalk’s early musical interests include rock and roll, folk, and jazz including some of the great jazz guitarists of the 1950s and 60s: Wes Montgomery, Jim Hall, and Kenny Burrell. “A trip to see Buddy Rich perform at the Electric Factory in Philadelphia ignited what was to become a love of jazz for me.” Sandy began his professional career as a guitarist in the early 1970s with local top 40 and jazz music groups from Northern Delaware. “The lure of playing full-time was strong, and thus I left college to begin full-time career as a guitarist.” After studying with Philadelphia guitar teacher legend Dennis Sandole, Sandy toured the United States with Turning Point, playing contemporary popular music. The experience included an opportunity to play with oldies groups including Joey Dee and the Starlighters, who hit the charts in the 1960s with the Peppermint Twist.

After returning to Delaware in the late 70s, Sandy earned a B.A. in American Studies, an M.A. in English Education at the University of Delaware, and eventually his doctorate at Wilmington University. “Attempting to connect history to some of the literature I was teaching at the high school level eventually led to the publication of my book, Delaware: A Trivia Guide to the First State, (Heritage Books, Inc.).”

Sandy’s musical journey took new twist in the mid-1990s when his interests turned to fingerstyle guitar, and he was introduced to the music of El McMeen, Steve Baughman, Pierre Bensusan, and other guitarists who arrange music for the guitar in alternate tunings. “A lesson with El sparked an interest in arranging fingerstyle tunes and set me on a path with the ultimate goal of bringing jazz standards and DADGAD together.”

Along with guitarist Tim Alexander, Sandy released Giving Voice, a CD of fingerstyle guitar selections on the Piney Ridge label. Sing Out magazine referred to Giving Voice as “one of those rare albums of good guitar music, beautifully played.” Sandy’s solo CD, Newer Every Day (released in 2014) is a collection of folk, Celtic and jazz tunes played mostly in DADGAD. Minor7th noted that Sandy is “a fully realized musician who expresses rather than merely plays. His playing both sooths and swings, displaying both individual artistry and sensitivity to his listeners.”