Guitarist John Renbourn is one of the fathers of contemporary British folk music and is one of the finest fingerstyle players in the world. A founder of the seminal group Pentangle, Renbourn's music fuses British and Celtic folk with blues, jazz, British early music, classic guitar and Eastern styles.
Born and raised in Torquay, England, Renbourn began playing guitar as a teen. At first he was into skiffle, a style that became popular as the folk music revival was beginning. An instructional book, How to Play Guitar by Rory McKuen, introduced Renbourn to the music of many American folk artists and he began to research them. In 1964, he began studying classical guitar at the George Abbot School in Guildford. Two years later he was playing folk music in Soho where he met many other musicians, including Paul Simon, Davey Graham and most importantly, Bert Jansch, a guitar player whom Renbourn greatly admired. Renbourn and Jansch were roommates for a while; during impromptu sessions they noticed how much in synch they were and how easy it was to play together. Both men had fledgling recording careers at the time. Renbourn performed on Jansch's second album and afterward they teamed up formally to record Bert and John.
In 1967 the two founded Pentangle and remained together through 1978. Renbourn, as with the other group members, continued to release such solo albums as The Hermit and The Black Balloon. He formed the John Renbourn Group in the '80s and began adding an East Indian percussion and jazz woodwinds to his music. Around the mid-'80s, he teamed up with guitarist Stefan Grossman and embarked upon a series of world tours. The two also recorded a few albums before Renbourn went on to found the ensemble Ship of Fools and play music with a stronger Celtic influence. He continues to tour alone and with other guitarists including Grossman, Larry Coryell and Isaac Guillory. He also occasionally reunites with Jansch and sometimes tours with Scottish storyteller Robin Williamson.
"For some time now, I have periodically made transcriptions of early pieces mainly for my own enjoyment. My interest in early music runs parallel to my interest in Western folk music. It was, and still is, intriguing to consider the characteristics that are common to both. I discovered that even whole pieces, thought to exist in manuscript only, occasionally cropped up remarkably intact in current folk playing, and instruments long assumed silent were found to be still sounding in remote areas of Europe. I began by taking a medieval dance tune and treating it as I would a jig or reel, or drawing on contrapuntal practice in making arrangements of folk songs. After a while I found myself with arrangements of a variety of pieces from the Middle Ages and the Renaissance. In this DVD lesson, I present five of these arrangements that I hope you will enjoy." – John Renbourn
Titles include: The Earle of Salisbury (standard tuning), Saltarello (DGDGCD tuning), Saltarello II (EAEF#AD tuning), Trotto (DGDGCD tuning), Robin Is To The Greenwood Gone (standard tuning).
93 minutes • Level 2/3 • Detailed tab/music PDF file on the DVD