Duck Baker is one of the most highly regarded fingerstyle guitarists of his generation. He is unique among jazz guitarists in that his repertoire spans the entire history of the music from ragtime through swing to modern masters like Thelonious Monk and Herbie Nichols to free improvisation. Baker’s devotion to American music also encompasses more traditional forms like blues, gospel, and Appalachian music and its Scots-Irish ancestry. This catholicism has been likened to Europeans who perform the classical repertoire from renaissance through to modern music.
Duck was born Richard R. Baker IV in 1949 and grew up in Richmond, Virginia. He passed his teenage years playing in rock and blues bands before becoming interested in acoustic blues. Local ragtime pianist Buck Evans was a major influence on Baker’s evolution. By the time he moved to San Francisco in the early seventies, he was performing the wide range of material heard on his first record for the Kicking Mule label, “There’s Something for Everyone in America”. In addition to developing his solo style, Baker joined a bluegrass band and immersed himself in the local swing jazz scene, forming a duo with guitarist Thom Keats and performing with such Bay Area luminaries as Burt Bales and Robin Hodes. Baker remains active in this music, leading a trio with guitarist Bob Wilson and fiddler Tony Marcus.
Duck’s most ambitious record, “Spinning Song”, which is devoted to the music of Herbie Nichols, got rave reviews in Jazz Times, Cadence, Coda, and the New York Times, and helped establish Baker as an important voice in the world of fingerstyle jazz guitar. Various critics named “Spinning Song” among the best jazz records of 1997 in Cadence and Coda magazines, and it placed high on the Cadence reader’s poll of that year. Acoustic Guitar magazine dubbed it “one of the best guitar records ever recorded – by anybody.”
The compositions of Turlough O'Carolan, born 1670, have a special place in the story of Irish music, as does the figure of Carolan himself, a blind itinerant harper living at a time of significant change in Irish history. Carolan seems to embody the image of the old bards in whom resided the last vestiges of the ancient music, and the lost art of extempore poetry. His music is often seen as a link between traditional Irish melodies and baroque music, but more importantly it includes some of the most striking melodies ever composed.
Originally written for the harp, these compositions lend themselves perfectly to the fingerstyle guitarist. In this DVD lesson, Duck Baker teaches a wide variety of Carolan pieces, from the folk-like air Blind Mary to the stately Hewlett. The mysterious Planxty Kelly and the deeply melodic The Fairy Queen are presented, as well as Carolan's Concerto, a complex folk-baroque arrangement of the bard's most celebrated composition.
Titles include: Planxty Irwin, Blind Mary, Planxty Kelly, Hewlett, The Fairy Queen, and Carolan's Concerto
84 minutes • Level 2/3 • Detailed tab/music PDF file on the DVD