Duck Baker is one of the most highly regarded fingerstyle guitarists of his generation. He is unique among jazz guitarists in that his repertoire spans the entire history of the music from ragtime through swing to modern masters like Thelonious Monk and Herbie Nichols to free improvisation. Baker’s devotion to American music also encompasses more traditional forms like blues, gospel, and Appalachian music and its Scots-Irish ancestry. This catholicism has been likened to Europeans who perform the classical repertoire from renaissance through to modern music.
Duck was born Richard R. Baker IV in 1949 and grew up in Richmond, Virginia. He passed his teenage years playing in rock and blues bands before becoming interested in acoustic blues. Local ragtime pianist Buck Evans was a major influence on Baker’s evolution. By the time he moved to San Francisco in the early seventies, he was performing the wide range of material heard on his first record for the Kicking Mule label, “There’s Something for Everyone in America”. In addition to developing his solo style, Baker joined a bluegrass band and immersed himself in the local swing jazz scene, forming a duo with guitarist Thom Keats and performing with such Bay Area luminaries as Burt Bales and Robin Hodes. Baker remains active in this music, leading a trio with guitarist Bob Wilson and fiddler Tony Marcus.
Duck’s most ambitious record, “Spinning Song”, which is devoted to the music of Herbie Nichols, got rave reviews in Jazz Times, Cadence, Coda, and the New York Times, and helped establish Baker as an important voice in the world of fingerstyle jazz guitar. Various critics named “Spinning Song” among the best jazz records of 1997 in Cadence and Coda magazines, and it placed high on the Cadence reader’s poll of that year. Acoustic Guitar magazine dubbed it “one of the best guitar records ever recorded – by anybody.”
The music of Ireland offers beautiful and haunting melodies as well as intriguing dance rhythms and exciting tunes. In the last years fingerstyle guitarists have turned their attention and arranging skills to Celtic music. Duck Baker is in the vanguard of this movement.
Duck's close association with John Renbourn, Davey Graham and Dave Evans has helped greatly in his exploration of arranging Celtic melodies. This series of lessons presents beautiful and challenging arrangements of airs and jigs.
Lesson One: AIRS: Pretty Girl Milking A Cow and Blind Mary.
Lesson Two: PLANXTYS: O'Hara's Cup and Morgan Magan.
Lesson Three: JIGS: Joy Of My Life and Swedish Jig.
Level 2/3 • 24 page tab/music book with three compact discs