Duck Baker is one of the most highly regarded fingerstyle guitarists of his generation. He is unique among jazz guitarists in that his repertoire spans the entire history of the music from ragtime through swing to modern masters like Thelonious Monk and Herbie Nichols to free improvisation. Baker’s devotion to American music also encompasses more traditional forms like blues, gospel, and Appalachian music and its Scots-Irish ancestry. This catholicism has been likened to Europeans who perform the classical repertoire from renaissance through to modern music.
Duck was born Richard R. Baker IV in 1949 and grew up in Richmond, Virginia. He passed his teenage years playing in rock and blues bands before becoming interested in acoustic blues. Local ragtime pianist Buck Evans was a major influence on Baker’s evolution. By the time he moved to San Francisco in the early seventies, he was performing the wide range of material heard on his first record for the Kicking Mule label, “There’s Something for Everyone in America”. In addition to developing his solo style, Baker joined a bluegrass band and immersed himself in the local swing jazz scene, forming a duo with guitarist Thom Keats and performing with such Bay Area luminaries as Burt Bales and Robin Hodes. Baker remains active in this music, leading a trio with guitarist Bob Wilson and fiddler Tony Marcus.
Duck’s most ambitious record, “Spinning Song”, which is devoted to the music of Herbie Nichols, got rave reviews in Jazz Times, Cadence, Coda, and the New York Times, and helped establish Baker as an important voice in the world of fingerstyle jazz guitar. Various critics named “Spinning Song” among the best jazz records of 1997 in Cadence and Coda magazines, and it placed high on the Cadence reader’s poll of that year. Acoustic Guitar magazine dubbed it “one of the best guitar records ever recorded – by anybody.”
Exercises for the Advanced, Contemporary & Traditional Fingerpicking Guitarist
Duck Baker’s Guitar Aerobics presents a variety of amazing and challenging exercises and arrangements. Both your right and left hands, as well as each finger, will receive a complete work-out.
The traditional folksong The Wreck Of The Old ‘97 and Duck’s original composition, Holding Pattern, are used to illustrate various right hand picking ideas. This is followed by left hand techniques and ideas to increase the independence of motion of your fingers as well as exercises featuring trills, thumb-fretting, hammer-ons and pull-offs.
The Rakes Of Waterloo is presented featuring left hand fingerings and techniques necessary for the ornamentation of Celtic melodies. Grace notes, slides and complex embellishments are demonstrated. Guitar Aerobics concludes with right hand slapping techniques and the tune The Dirtman Cometh.73 minutes • Level 3 • Detailed tab/music PDF file on the DVD